Monday, May 28, 2007

Dead Blues Guys

Just when I start thinking what a nasty place the world is these days, I meet people who are unbelievably nice, and go out of their way to be helpful. It renews my faith in human nature, though I suspect that you have to leave the city to find these people in the majority. This road trip, to visit the graves of some legendary blues artists in Mississippi, was more of a challenge than I had anticipated, and was only accomplished because of the numerous people that I flagged down in the road, or on whose door I knocked unexpectedly, or whom I disturbed whilst gardening, or interrupted at work. Thank you to all of them.

One of the best views of Dallas is in the rear-view mirror, especially when a weekend of rain is forecast. Starting early Saturday morning, I headed out of Dallas for Memphis, Tennessee. I’d already determined an itinerary, from www.deadbluesguys.com that would take me from Memphis down to Jackson visiting the graves of Memphis Minnie, Mississippi Fred McDowell, Sonny Boy Williamson, Robert Johnson and Mississippi John Hurt. The journey is long (around 7 hours) but easy – Interstate 30 (I-30) to Texarkana, the across Arkansas and onto I-40 to Memphis, Tennessee. I passed an interested billboard on the way that I have no further comment on!

Arriving in Memphis in late afternoon, I checked into the downtown Marriott. The concierge told me that the Temptations were performing at the nearby “Memphis in May” festival, so I went along. Feeling hungry, I tried the “Jamaican-style Polish sausage” (I’m nothing if not adventurous!) – cholesterol in a bun, but it was better than some of the other options. I left before the Temptations came on, because I didn’t feel like sitting through the classical music concert that preceded them. No matter what they think, people don’t come to Memphis for classical music! Besides, Beale Street was beckoning.

In case you didn’t know (perhaps from Marc Cohn’s song: “I’m walking in Memphis, walking with my feet 10 feet off of Beale”), Beale Street is the hub of the blues scene. It used to be a pretty seedy area, but it’s been cleaned up now, and is mostly a tourist venue. For all that, it’s a very exciting atmosphere. The street is blocked off to traffic, crowded, selling 32oz beers and frozen drinks from numerous stalls, and with live blues coming from every restaurant and alleyway. People are dancing in the street, and happy – even though some of that is due to the alcohol, no-one is “nasty drunk”, or even badly drunk. Just happy, and the ambience is electric.

I have to confess to waking up the following day with a slightly sore head, but the experience was worth it. After breakfast of blueberry pancakes, I’m off on my blues trail.

Memphis Minnie

Memphis Minnie is buried in New Hope cemetery, in Walls, Mississippi (MS). I knew only the name of the church, and had no idea where to look when I got there. Walls covers about 60 square miles, but, as luck would have it, I saw two guys outside the Walls Fire Station, and pulled in to ask them. They had never heard of Memphis Minnie, and didn’t know where the church was, but that didn’t deter them. I had a photograph of the headstone, and they instantly recognized it as being local (“That’s delta (Mississippi delta, that is) grass, and that looks like the bluff in the background.”) They took me into the fire-house, and started looking on the internet. When that proved fruitless, they called their dispatcher, who eventually came up with an address. They not only told me how to get there, but pulled up aerial photos of the vicinity so that I’d get a better idea where I was going. This was helpful, because New Hope M.B.C. (Missionary Baptist Church) is in the middle of nowhere, as would be so many of the churches I would be visiting. The Mississippi countryside I was surrounded by was largely agricultural, with corn and wheat standing tall out of the rich yellowish-red soil. One down, four to go.

Fred McDowell

All I knew about Mississippi Fred McDowell’s grave was that it was located in the Hammond Hill M.B.C. cemetery, “between Como and Senatobia”. I was lucky once again in spotting an almost hidden sign to the church as I flashed past a side road. I stopped and backed up (the roads were mostly empty throughout the day). Following the sign led me eventually to the church, where a service was in progress. The cemetery was small, and I had no difficulty locating the grave, where he is buried with his wife, Esta Mae, who died 8 years later. I am amazed that these blues legends have small, mostly unrecognized graves. In some ways it’s sad that they don’t get the recognition they deserve; but, in other ways, they are truly resting in peace.

Sonny Boy Williamson

Heading 60 miles further south, I arrived in Tutwiler – one of the most derelict towns I have ever seen. Even “City Hall” was boarded up. I was almost embarrassed to take photographs, in case someone saw me. But there was no-one on the streets. I went into the gas station to ask how to get to Whitfield M.B.C. The girls behind the counter didn’t know, but a black cop lounging in the corner, no doubt taking advantage of the air-conditioning, offered to show me. One of the girls wanted to go with him, and so I followed his cruiser down a tortuous route into the now familiar “middle of nowhere”. When we reached the cemetery, they both got out of the car. He waved his hand in the general direction of the cemetery. “I’ve been past here hunnerds of times, but I ain’t never stopped to look. I know he’s in there somewhere.” Once again, I knew what the headstone looked like, and was able to point it out, much to their surprise, almost instantly. Both of Sonny Boy Williamson’s sisters are also buried in the same cemetery.

Robert Johnson

Robert Johnson is reputedly buried in Greenwood, MS. When I got there, the town was huge. I thought I’d have to find a police station to ask for directions, but then it occurred to me that the best place to ask for directions to a church is … another church! So I stopped at the North Greenwood Baptist Church, where the musicians were just breaking down their equipment after a service. They directed me to Little Zion M.B.C. without hesitation. This church had a sign outside proclaiming Robert Johnson’s gravesite, and also primitive provision for donations towards its upkeep. Only one more to go!

Mississippi John Hurt

If this had been the first on my list, I think I may well have given up on the rest. This was undoubtedly the most difficult to find. As I entered Avalon, there was another sign stating that the town was the birthplace, and final resting place, of John Hurt. But no directions. Fortunately, a beaten-up old Buick was struggling up the road, and I flagged it down. The old black gentleman inside switched off his engine as I started to ask where the cemetery was. “Follow this road until it turns to gravel, make a left up the dirt-track and it’ll take you right there.” An hour later, after driving up and down single-track dirt and gravel roads, asking for directions from two different people in their gardens, and also at Sherry’s Grocery Store, I was on the point of quitting. As a last ditch attempt, I went up to someone’s house and knocked on the door. The woman who answered looked a little apprehensive at first, but soon relaxed once she could see I was no threat, and gave me directions. I was, in fact, very close, but just needed to look out very carefully, “’cos if you ain’t looking, you’ll miss it.” And as a parting shot, “Oh, and look out for snakes this time of year.” The grave is tucked away in the woods, amid a small collection of a couple of dozen others, and almost completely hidden from the road by undergrowth.

Mississippi is more lush than Texas. You rarely get a good view over large areas of countryside, even though it’s quite flat in some places. The roads are usually flanked by corn (7 or 8 feet high at this time of year), or wheat, or trees draped with lianas that give it an almost tropical feel. There is undoubtedly poverty, but not as much as I had expected. The living accommodations are mostly trailer homes, but are interspersed with brick-built ranch-style houses. The trademark magnolia trees are everywhere, and irrigation is good enough to support a significant rice crop – another big surprise. The radio stations split fairly evenly between blues, country and Christian, and it’s the only place I’ve ever heard Hamburger Helper advertised.

And, I can assure you, the people are wonderful.
Beale Street

Billboard

Mississippi Fred McDowell

Mississippi John Hurt

Mississippi John Hurt

Memphis Minnie

Memphis Minnie

Robert Johnson

Robert Johnson

Sonny Boy Williamson
Mississippi John Hurt

Tutwiler

Sunday, May 27, 2007

The Journey Back


After my blues trip took me from Texas through Arkansas to Memphis, Tennessee, and from there down to Jackson, Mississippi, I thought that the journey back would be a bit of an anti-climax, particularly since Interstate-20 accounts for almost all of the 400 miles to Dallas. Interstate highways are great to get you where you want to go quickly, if you don’t mind the boredom of endless driving punctuated only by the occasional truck stop.

Whenever a major highway crosses a state line, there is always a tourist information centre close at hand. So, when I entered Louisiana, I pulled into one. I asked them, as I often do, “If you only had one day in the state, what would be the one place you’d have to visit?” And, again as usual, they were stumped. But I noticed on the huge map on the desk that Route 80 shadowed I-20 all the way across Louisiana, and passed through all the small towns. This held much more promise, and, in spite of a longer journey, I side-stepped onto Rte 80 at the first available opportunity.

Tallulah mural
"Expect the Unexpected"
I have a particular penchant for collecting murals. Every small town seems to have at least one, though sometimes you have to search carefully for them. I found one in the first town I encountered, Tallulah. I also found a very aptly named beauty shop. Rte 80 follows the railroad, which is no great surprise, because this is how these towns came to be here in the first place. And many of the towns are in a state of neglect – I’d never really thought about it before, but I imagine that this is the result of the town being bypassed by the highways. Motels, cafés, shops and gas-stations for whom through-traffic was once the lifeblood have been boarded up one by one until the town is sucked dry, devoid of their livelihood. The coin of progress is definitely two-sided.
Mural in Delhi
From Tallulah, the road took me through Delhi, which, despite its dereliction, sported the quite avant-garde Anding Thompson Plaza, complete with mural, in its centre.
The next town was Rayville, the “White Gold Capital of the South”. White gold is otherwise known as cotton. Here I found an interesting mural that looked almost chalk-like, enticingly labeled “Riddle 97”. Since Riddle seems to be a local name, I think that this refers to the artist, rather than being an invitation to solve some carefully concealed puzzle.
Chalk mural in Rayville
Barber shop in Start
Soon after Rayville, I encountered Start, the home of “Country Music Great Tim McGraw”. Whatever you might think of Tim McGraw (assuming you’ve heard of him) or country music, he has the enviable distinction of being married to another country singer, Faith Hill. However, I don’t think he gets his hair cut locally.

It was near here that I encountered a road-side fruit stand, and stopped to buy a deliciously ripe cantaloupe. $2.50, but I gave them $3 on condition that I could take a photograph (and they were more than happy to oblige).
Fruit stand st the roadside
 Beyond Monroe, the landscape is very much more built up, and not as sparsely populated as the eastern half of the state. At the gambling capital of Shreveport, I crossed back on to I-20 to complete the journey to Dallas.

Small town America is still one of my favourite places to visit, even if I think I might not actually want to live there. With mobile phones, wireless internet, and the onslaught of technology, it may not be around for too much longer.

PS. In case you’re interested, the larger murals are composed of, typically, five or six separate photographs “stitched” together using the free autostich package, available from http://www.photo-freeware.net/autostitch.php.

Wednesday, May 16, 2007

Hany's funeral


Last Sunday, a work colleague died of cancer. Today, I attended his funeral, held at the Coptic Orthodox Church of St Mary in Colleyville, Texas – he was originally from Egypt, where Christians are in the minority, and apparently persecuted. I don’t know very much about him – he was a policeman in Egypt, and came to the States essentially as a refugee; he’s worked for American Airlines for at least 6 years, but got worried after the layoffs associated with 9/11, so that he took on a second job managing property, which subsequently burgeoned to the extent that it provided more income than his “day job”; he was married, but relatively recently, and had no children; he was told, last July, that he had six months to live, but insisted on coming to work every day that his visits to the hospital in Houston would allow; he didn’t tell his parents (in Egypt) about his prognosis because they are old and frail; he had an uncle in Seattle; he was mostly easy-going, and usually smiling, except when discussing political issues, when he would become animated, and, sometimes, strident – he had first-hand experience of a society which was not the democracy that we take for granted.

The church was not, as I had imagined, instantly distinguishable from the numerous other churches in the Dallas/Fort Worth area. It was a modern building, with the plasma television screens at either side of the altar looking out of place against the Christian icons that filled the walls, as did the mobile phones just visible underneath the priests’ vestments. The air was clouded with the pungent smell of incense, in spite of the air conditioning; and the atmosphere, reverent, in spite of the priests’ constant back-and-forth between the altar area and the “vestry”.

The service itself was conducted in Arabic, Greek, Latin and English, switching smoothly (though with reason unknown to me) between each. I was unable to follow most of the service, which was largely chanted, sometimes with the musical accompaniment of a lone pair of cymbals, until the Nicene Creed (“We believe in one God the Father Almighty …”), spoken in English, provided an anchor.

Maybe it’s a cultural thing, and maybe they have a different way of grieving – for us (western Christians), a funeral service provides closure, a path to acceptance, and to moving on. Music is an almost essential component – it moves us to the tears that are an inevitable part of grief; the eulogy is also important – we need to feel uplifted by happy thoughts, happy memories of a life lived to the full. Neither of these are part of (what I assume is) a traditional Coptic funeral service.

After a service that lasted 90 minutes, most of which required the participants to be standing, after an interminable sermon that preached Christianity in spite of the fact that many of the congregation were of a different faith, after minimal mention of anything personal relating to the deceased, I left feeling empty and unfulfilled.

I will always remember Hany walking into the teamroom, his chubby face beaming from ear to ear, happy to be at work, happy to be alive.